
Pulling the drums out (and pretty much everything else) turned this into a multi-part composition in line with the "box" tracks on "Damage." In other words abrupt and obnoxious.
The typewriter is from an old sound effects CD that Eli left lying around CKMS. The single-note bass is from Jeff Wayne's "War of the Worlds" (in the "Spirit of Man" just before the "No, Nathanial" section). The cut up, distorted, four-note blast is a segment from "Drive" by The Cars. I forget where I got the guillotine.
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