Friday, March 07, 2008

Burnt Holes in a Blanket

One wonderful thing about the complete collection of New Yorker DVDs is the odd, blotchy compression algorithm that turns jolly pictures into snapshots from hell. For instance, witness this mutilated advertisement for Fougere Royale aftershave lotion, which looks like a still from a Tod Browning picture.

Just based on the illustration I'd think the copy should read "Your dead ancestors, newly jealous, will melt your face if you use our product!" But the story is actually more prosaic:
Suppose you were out most of the night. No need to tell the world about it. Greet the cold, grey dawn with a smile--with a sparkle in your eye, instead of the "burnt holes in a blanket" effect. Chase the tired, sleep-famished look from your face. The set wooden expression that everybody knows is the "morning after" look.
For the provincial boor (that's you and me!) a convenient note reminds us: "Pronounced Foo-Zhaire Royal."

Thursday, March 06, 2008

Not Irish, But Game!

On Sunday, March 16th I'll be fleeing my winter cocoon in order to be part of the TICOT "Kiss Me I'm Irish" show.

Princess of the Realm (and owner of the Jenna-Duck) Morgan James is organizing and hosting the night as a fundraiser for reign XXI.

It'll be at Play on Church (504 Church St) in Toronto, so if you're in the area you should drop by and see the show...and help us raise some money! It'll be the one night you can hand me a solid bar of gold and I won't be able to keep it.

A Vehicle: Edging into Adulthood

I've done without a car for thirteen years. I live in a city with lots of cabs, good bus service, and plenty of sidewalks to walk on. I have friends and family which will transport heavy goods in a pinch, and if I need to get out of the city there is always the Greyhound.

But jeez, I think it's time to get a car. I hate sponging off of friends. I hate being unable to visit people in other cities. When I'm invited to do a show in Guelph, I hate forcing them to pick me up and drive me home. I hate taking the bus to Toronto.

Most importantly -- and positively -- I would love to be able to drive during the summer. I want to drive to little towns and explore without worrying that other people will be bored. I want to visit the Bruce Penninsula again. I want to see Lake Huron.

To do all of these things I need a car.

So I've started the ball rolling. My father works at a car dealership and he knows his cars, so he's scouting out a practical used vehicle. I've called an insurance company to find out how much I'll need to pay for the privilege of driving...I'll get the bad news tomorrow. I've decided that -- for the first time in my life -- I need to go into temporary debt to achieve a useful and substantial goal: geographic independence.

Hopefully this will all happen.

I need to balance this with two other desires. First off, I want to go to the 2008 Pennsylvania STC Summit in June, and though I'll be reimbursed for everything it always involves my paying upfront, out of my own pocket.

Also, while editing a new "Domestic Drag Show" in iMovie, I finally decided it would be worth it to get better (that is, ADEQUATE) video editing software. But that would require upgrading my operating system, which would ultimately require just getting a new computer. As nice as it would be to enjoy all the perks of a spiffy new iMac (not to mention the ability to make better videos, and to make them faster), I have to admit that this is hardly essential.

So the car wins.

Wednesday, March 05, 2008

Too Much Henry Rollins

On Monday night I attended the weird spectacle of Henry Rollins in Kitchener...almost as weird as Elton John in Kitchener, which happened on the same night. I've never been a Henry Rollins fan -- in fact I've been more annoyed by him than anything else -- but I'd never seen his spoken word and I tried to keep an open mind.

Well, it took a while for him to warm up, and most of the time he was "preaching to the converted." Extolling reproductive rights, global understanding, and "sticking it to the man" was hardly a unique perspective to the crowd who came to see him. In fact the most significant statement he made, I thought, was that he himself is pretty much "the man" nowadays, which was nice to hear him admit at least.

His first ninety minutes were pure gold. Of course, there's such a thing as TOO MUCH gold -- visiting my Italian uncle's rumpus room was enough to make me queasy, for instance -- but Rollins managed to pace himself pretty well, staggering his funny stories with "heartfelt insights." He railed on American politics, patriotism, and isolationism. He poked fun at his own shortcomings -- his inability to have normal interactions with people, his need to always be frantically doing something -- and he tackled the usual suspects of the American right-wing.

He was funniest, though, when he simply told stories about the small children in his extended family circle. His anecdotes about the twelve-year-old daughter of his manager (who speaks like a jaded drag queen and constantly puts Rollins in his place) were the best of the night. I think he's right, little girls ARE potentially excellent liars, and he handled this material PERFECTLY.

But then he said he was going to tell us a "little punk rock story," and in the next ninety minutes I saw the egocentric, self-concerned, disconnected, and not particularly critical part of Henry Rollins, otherwise known as "the fanboy."

In short, this story he told was about Rollins being invited to perform at a very significant benefit show for a band he had always idolized (The Ruts), his extreme anxiety about the event, and how it all turned out well in the end. This would make a good ten-minute anecdote, but it just kept going on...and on...and on. He stuffed it full of colourless reportage about people's names, playing style, and previous affiliations. His insights were shallow and pointless. Since Rollins never tells you in advance how a story will end -- and since his tales perpetually telescope with "And so the next day..." and "That reminds me of..." elements -- the whole Rut story took AN HOUR for him to tell, and it was pointless from beginning to end.

It was unbelievable. People were fidgeting and coughing as we watched him string the story along. It was like being stuck at a dinner party where the host just simply MUST tell you about his WONDERFUL vacation, and each time you think he's coming to the conclusion you find out that his vacation included ANOTHER trip, and then ANOTHER trip. I have never been so bored in my life, and I'm including a lot of dull university lectures. Rollins just didn't seem to understand that he was stretching out "his moment" too long, and that it wasn't really significant to anybody.

Then he told us that he was almost done...and spent an additional half hour telling banal stories about his trip to South Africa. Besides being intrinsically boring, it was almost midnight, it was Monday, and we'd ended up sitting there for over three hours. It was simply too much (and, in terms of substance, WAY too little).

So the fun of the first half was overshadowed by the crushing monotony of the second. I can only assume that Rollins is either testing out new material or that he needs some sort of medication. If you're going to attend this tour make sure you bring a pillow and a good book.

Monday, March 03, 2008

Lullaby In An Apartment House

My good fortune can't hold out forever; someday people will move into the unit adjacent to mine, and all my neighbour-troubles will begin again.

When I come here to whine and moan, please sing me this lullaby from the October 6, 1928 issue of The New Yorker.
Sleep, little one, sleep.
The sandman's going his rounds once more,
While red-hot jazz from the Palais d'Or
Steals in from Apartment 24.
Sleep, little one, sleep.
Hush-a-bye
Sleep, little one, sleep.

Sleep, little one, sleep.
Drift off to the land of slumber, pet.
The Smiths have a brand new five-tube set.
If you wake at twelve 'twill be going yet.
Sleep, little one, sleep
If you can.
Sleep, precious one, sleep.

Sleep, little one, sleep.
Skim the sky on a fleecy cloud,
As Jenks next door makes drinks for the crowd.
In another round they will get quite loud.
Sleep, little one, sleep
For your own protection.
Sleep, angel one, sleep.

Sleep, little one, sleep.
The silver moon casts a magic spell.
From the Roxy organ comes "William Tell,"
As Dr. Cadman discusses hell.
Sleep, little one, sleep.
In your trundle bedlam
Sleep, harried on, sleep.
(Howard Cushman)

Admittedly my potential neighbours may require a verse for themselves:

Sleep, little one, sleep.
Permit your tired mind to heal
While 'cross the wall shouts Schnapps the Seal,
With "Doctor Who" on endless reel,
Sleep, little one, sleep
Or that freak will getcha,
Sleep, little one, sleep.

Sunday, March 02, 2008

A Bit More About "Family Feud"

Game shows are a form of drug. They're breezy and slick and fast-paced, with all of their drama resolved in a few minutes...this element appeals to our lazy, spectacle-seeking sides. The winners are genuinely ecstatic and we celebrate with them. The losers are gracious and we admire their good sportsmanship. On top of all that we get to test our OWN knowledge, participating as though we were actually there, albeit without the inevitable pressure of making asses out of ourselves on network television.

All drugs take their toll, though, and after a weekend of "Celebrity Family Feud" I feel slightly nauseous. I never want to hear that theme song again. I have a headache from the endlessly-repeated "Survey SAYS!" At night I dream about the members of "Eight is Enough" and "Love Boat" moving into my house and snorting coke off the back of my cat. Don't tell ME that I've never suffered.

I do have to temper somewhat my negative impression of Richard Dawson. I still think he's a pig, but it appears that 95% of the women were either indifferent to or flattered by his attentions; when I wrote my last screed I had only watched about six episodes, in all of which he was particularly drunk. Dawson was an aggressive man-handler of both women AND men, and I realize that this was considered an attractive part of his "schtick."

Dawson may have been an effective woman-killer, but the children sure hated him. It's painful to watch him try to "draw out" precocious Hollywood preteens who can barely disguise their disdain for him; Dawson acts like the slightly perverted, faux-hip grandfather that you dread visiting on Christmas. As messed up as MY grandfather was, though, at least he never launched into pointless impersonations of W.C. Fields. Nope, my grandfather just peed.

Picture this: the show's producers have already made the dubious decision to pair pre-adolescent Ricky Schroder with reigning "Playmate of the Year" Shannon Tweed. With the two of them at the podium, Dawson initiates this classy bit of comedy:

DAWSON: She's pretty, isn't she.

SCHRODER: (Shyly) Yeah.

DAWSON: There's a whole book about her. (Gasps of surprise from everybody on stage).

SCHRODER: Yeah?

DAWSON: How old are you?

SCHRODER: Twelve and a half.

DAWSON: When you're eighteen I'll show it to you. (More gasps and nervous laughter. Dawson points at his belly-button) She's got a staple right here.


Richard Dawson has a quick wit, don't get me wrong; he can banter with the best of him and he can come up with some amazing thing. But put him next to a kid and he veers completely off the rails, and then continues to veer until he has crushed everything and everybody in sight. What a weirdo.

As "risque" as the '80s were in many ways, these shows have given me an eyeful of "conventional network sexuality," which might explain why titillation is often so boring to watch.

So yeah, enough is enough. Somebody has to invent a sort of "colonic purge" for the gameshow-addled brain.

Playing the Game Episode 7: "Wolf"

Shameless, happy self-promotion! Episode seven of the WebTV series "Playing the Game" is now online...and I'm in it! See for yourself (it's not R-rated, but you probably shouldn't watch it at work):



(For a much higher-quality version go here to the official site).

I think this turned out very, very well; the story is lots of fun, the narration is suitably chirpy, and Mitch's camerawork -- one long shot, for most of the episode -- shows not just his own skill but also the amount of work we put into "getting it right." And kudos to Delirium Clothing for the "Freedom Turkey" outfit that I'm sporting!

Yes, believe me, we did this over and over again. The first few takes I recall as being particularly sedate, but as we went along things got more frantic; I think this is from one of the middle takes, before we lost control and I knocked over the bar.

Even though it's a "silent" film, Steve Hutton did in fact record our mostly-improvised lines "for a DVD extra." Yikes!

Friday, February 29, 2008

Richard Dawson, The Pig

I've rented a collection of "All Star Family Feud" episodes. I'm not exactly sure why I've done this, but I've had a number of revelations while watching it this afternoon.

First, Richard Dawson was a f*cking pig. It might not have seemed that way to the general public at the time -- I certainly don't remember anybody talking about it in the '80s -- but his attitude toward his female guests went beyond "chivalry" or "1984 machismo" into aggressive lechery.

I might dismiss his constant stroking, grabbing, and kissing as "of the time," but the women he's doing it to certainly don't seem to think so; just watch as they shrink from his touch, and watch as he gleefully comes back to do it again and again. It comes across as a form of physical intimidation that you don't see from TV superstars anymore (I hope).

Granted, some of the women seem quite happy with this, but most of them are obviously disgusted. Here's Dawson trying to grab the hand that Maureen McCormick is trying to make discreetly unavailable. She's probably in a tizzy about the cold sores she got from him last week. Christopher Knight, barely sentient, is smiling because of gas.


Second, the country hoe-down atmosphere had always escaped me. Our family watched this show a lot and I never noticed its rural theme: fiddle music, needlepoint set decoration, Dawson's plantation-owner outfit, the entire IDEA of a "family feud." It's only now that I hear the weird way that the announcer says "Family Fyeee-youd!"

An American "yokel show," and by no means the only one...we've had them in Canada as well.

Third, people get nastier as shows go on. It's interesting how the competition -- both between and within teams -- gets less friendly over time. The camera loves to linger on the glares and sneers, and there is something PARTICULARLY scary about a sneering woman who has feathered hair and professionally-applied raccoon eyeliner.

Fourth, the Petticoat Junction people were the coolest. I've never seen Petticoat Junction, but they BY FAR outranked the other teams in terms of personality, graciousness, and intelligence. Since I love "Leave It To Beaver" and at one time enjoyed "The Brady Bunch" this is a hard thing to admit.

Sherlock Holmes in "The Lost Pencil Case"

Chapter 1 - A Most Unusual Discovery

During my journies I happened across the widow McClure, a sweet Irish lass, long beyond her years and now terminally ill. Suffering from demetia, each time we met it was most similar to the first, and I found myself once again amazing her with my feats of deduction.

"On Thursday nights," I said to her, "you watch 'The Price is Right,' and you always cheer for the fat ones."

She was amazed. "Mr. Holmes, how do you know such things?"

"These mental stretching-exercises are like morning calisthenics to the student of crime. I am aware, of course, that your grandchildren always visit on Thursdays, and you have said in the past that they are uncommonly fond of television."

"I said that?"

"Indeed you did, but let's return to my monologue. In my curious daily business I am required to read all the latest periodicals, in order to keep abreast of current events which may impact my work. One such magazine which I devour from cover to cover is...'The T.V. Guide.'"

"I love that book," said the esteemed widow, the rosy blush of long-lost youth returning briefly to her aged cheeks.

I made fast my explanation, before her oncoming fit should stop it in its inevitable tracks. "It was short work to decipher the guide's Thursday night schedule, from which -- bracketed by your regular mealtime of five o'clock and your bedtime at six -- I deduced you would be watching 'The Price Is Right' on your video-telegraph machine on regular Thursday evenings." I paused for effect. "Now let me tell you about the Cottingley Fairies..."

Mrs. McClure, as always, was uncommonly amazed, and she shook my hand as best her palsy would allow. Whilst in the perpendicular position that was required to grasp her hand I noticed a most intriguing object lying atop the snow.

I did nothing to betray my knowledge at the time -- wishing not to entangle the widow in the nefarious schemes of the criminal underworld -- but after seeing her off to her daily sponge bath I returned to the sidewalk. Stooping to retrieve the singular object which I had spied, I saw immediately that it was a pencil case.

Chapter 2 - A Crime of Passion

From its position I deduced that it had been carelessly dropped, and not so recently as it was finely dusted with snow. The footprints around it had been hopelessly muddled by pedestrian traffic and by Mrs. McClure's tripedal walker, obscuring any clues as to the owner of the pencil case, or -- if they were not the same -- to the individual who had dropped it.

I turned my attention to the case itself. It contained numerous geometric tools and writing utensils, most telling of which was a gum eraser which proclaimed that somebody with the initials "P.M." had once loved somebody else "4ever," but the initials of the paramour had been cruelly defaced by what I soon determined to be a young girl's fingernail.

This discovery shone new light on the development. At first glance I had assume the pencil case to have been accidentally dropped, but the obscure gum eraser with its gouged-out initials suggested a more sinister motive: an affair of the heart, a lover spurned.

"This puts me in mind of a similar case which you may remember," I said to the stuffed and mounted figure of Dr. Watson which I carry for such purposes. "The unrequited love which John Hinkley, Jr. felt for Jodie Foster, which inspired him to steal her pencil case one night out of sheer pique, only to lose it on the day that he attempted to take the life of Ronald Reagan in a most inelegant way. I fear that the unknown figure involved in this case is similar to that of the case long past; merciless, passionate, and far beyond the bounds of common rationality. Mark my words, Watson...here we face the most vicious criminal we have ever known."

Watson, choosing not to interrupt my investigation at such a crucial stage, maintained his silence and leaned increasingly a-tilt in the growing wind.

Further analysis of the pencil case presented more evidence of the seriousness of the crime, not least in the form of a passionate scribbling on the inner lid: "Jessica you are a jalous bitch :)" I also deduced, from various obscure and sundry notes contained therein that the owner of the case was a Miss P___ M___, enrolled in form eight of M_____ Public School, located as I knew on C_____ Street.

I rushed immediately to the telegraph office but was dismayed to find it inoperative. My next step -- the telephone book -- revealed many more individuals with the surname M____ than I had anticipated. Having decided to attend to the school of M_______ in person, I briefly considered the hiring of a hansom or dogcart to fetch me there, but the hired lackeys in this town refuse to admit Dr. Watson in his current condition and the only other carriage drivers -- those singularly curious members of the Mennonite religious order -- have been reticent since the disastrous resolution of "The Case of the Poisoned Strudel."

Chapter 3 - The Visit

The following morning I hied myself to M_____ Public School with the wayward pencil case in my possession. Inspector Lestrade being long since lost in his ill-fated battle with the Fiery Moria Balrog, I brought instead a collection of Street Arabs in various disguise, these "Baker Street Irregulars" serving to lighten my spirits and affirm my superiority. Having delayed for so long any explanation of my methods or purpose, however, they soon dispersed to the nearest Tim Horton's, tongues a-poke and fingers raised.

Finally, after many minutes of solitary walking, I was on my own at the school, ready to spring the net that I had been carefully weaving since the discovery of the pencil case but a day previous.

Aware that a man in possession of cocaine should not linger at the gates of a public school, I entered the singular halls of the once-great institution. I was greeted by an uncommonly beautiful matron, so pale as to be nearly luminous in the dim fluorescent lighting, a figure at once so winsome and concupiscent that I felt Watson growing singularly stiff at my side.

I bowed respectfully under her gaze. "M'lady, I bring to you a pencil case which may or may not belong to one P____ M____, a student of your singular institution. The circumstances are unparalleled in their circumstance, but I deduce that the case was lost as she found her way home across C____ street. The soft cushion of the new-fallen snow no-doubt muffled the rattle of the falling protractors and pencils, with the result that--"

"I'll make sure she gets it," said the matron, removing the object from my hands and retreating instantly down the corridor. My interview, it would seem, was over.

Chapter 4 - The Scarlet Mormon of East Pushtan

You may wonder at the resolution of this astonishing tale, so unlike any that I or my imitators have told before. I too am uncertain as to the fate of the pencil case, and the fate of the mysterious P____ M_____, whose form and circumstance remain vague in my understanding.

Surely, if Watson were still an active and mobile young man of 35, he would have stumbled upon a postscript worthy of all that preceded, a final few chapters to explain the terrible curse of the M_____ family and their ancestry in another country, another time.

But Watson is no longer the man he was, and I confess the same regarding myself. 'Tis just me and my cat at Baker Street, waiting here, wondering what next will fall from the grasp of this world's singular criminals.

Thursday, February 28, 2008

The Adventure of the Behaviourist


During my first years as a Psychology student at the University of Waterloo, I was a dedicated behaviourist. There was something comforting about its endless chains of predictable cause and effect. Next to the more "subconscious" disciplines it was downright simple: you reward or punish a person for doing something, and eventually you can "condition" them to do what you want.

Behaviourists got results...and they could QUANTIFY them! They used a mixture of hard-nosed determination, patience, and metrics to -- say -- turn a kleptomaniac into an upstanding citizen. And I quickly discovered how useful the behaviourist approach was when dealing with pets; thanks to B.F. Skinner and his operant conditioning I had the family cat rolling over for chicken in a pretty much consistent way.

But courses in child development threw me for a loop, with their revelations of hard-wired mechanisms for things like language and knowledge of "self." Suddenly there were parts of human behaviour UNRELATED to conditioning. The REAL blow was the study of Symbolic Interactionism, which shows that we humans relate to our environment in a symbolic way, and therefore a "stimulus" is what we believe and perceive it to be, not something pure that always means the same thing, all the time, to all people.

So I've been forced to let go of much of my love of "billiard ball determinism" and hard-nosed behaviourism, partly because so many other forces seem to be at work, but mainly because all the factors involved -- people, problems, stimuli, responses -- get tangled up with other forces in the real world, making the "laboratory" approach to therapy just as difficult as any other.

So while I skip most of the New Yorker profile pieces, it was interesting to read Kenneth MacGowan's profile of Dr. John B. Watson in the October 6, 1928 issue. Despite the weird synchronicity moment in the first paragraph (Watson was annoyed by the character of "Dr. Watson" in the Sherlock Holmes stories, and here I am reading those stories right now), it's interesting to read a relatively muck-raking article about his academic problems.

By the time of the article Watson had long left academic life. The article claims that this was due to his intransigence and controversial studies, and it inexplicably ignores the entire scandal that surrounded his leaving: his adulterous affair with graduate student Rosalie Rayner. This is my first indication that the New Yorker profiles may have been a BIT of a whitewash.

(Incidentally, for fans of Thomas Pynchon, Watson and Rayner have the dubious honour of conducting the infamous "Little Albert" experiment which gets pride of place in Pynchon's "Gravity's Rainbow.")

Anyway, Watson was hard at work in the advertising business during 1928, helping with campaigns such as -- more synchronicity here -- Odorono. He made a lot of money perfecting the advertising agency's ability to frighten and titillate us. Maybe that's the way we should remember him; behaviourism was always best at curing phobias, and now we know it was good for causing them as well.