What about Old Gold? Last time I mentioned them in this blog they were in the midst of a rickety vaudeville promotion, and since then they've continued with the "Not a Cough in a Carload" tagline by hiring John Held Jr. to create his signature Victorian woodcut cartoons (the joke is usually about a male Victorian stereotype being berated for his rough smoker's voice).
But I suspect they felt the need to capture the same flapper audience that the other manufacturers were targeting, so in September 27, 1930 there's a full-page advertisement with a new angle, which I paraphrase as Old Gold is a plucky newcomer who became instantly popular because of its exceptionality, just like This Famous Broadway Star!
I'm sure this is the first in a long line. This time the star is Marilyn Miller:
From her grandmother's cellar...to Ziegfeld's Roof...in just the twinkle of a toe. She really was the "Sally"...of the alley called Broadway.The real interesting part of the advertisement, however, is the huge picture of Marilyn dancing in a dirty basement.
How to explain the miracle of Marilyn's success?...Nature simply blessed her with a charm all her own.
I've mentioned before that some design elements in The New Yorker reflect a shift from the "modern" 20s to a new 30s style. This is definitely one of them. As an added bonus here's the caption:
"Mar'lyn, chile, shake yo' feet!" Grandmother's kinky-haired old furnaceman was first to educate Marilyn Miller's feet. At those same feet, a few years later, old New York laid its heart.Ah, the kindly kinky-haired drudge with his native rhythm. There's also a reproduction of the moment when Old Gold's supposedly first arrived in Waikiki, but the quality is so poor I won't bother posting it. Which is a shame because it looks really bizarre.
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